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E.A.R. Yoshino
192 DACute 解碼器

HK$43,600.00

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192 DACute

With the EAR DAC Tim de Paravicini has applied his world renown knowledge and attention to detail in the analog world to the digital domain. The DAC boasts a digital to analog converter with low jitter clock and enhanced operation. The DAC is armed with a Cirrus SPDIF receiver, enabling the DAC to interface to your existing digital setup and accept up to 24/192 digital input from USB, coaxial SPDIF and Toslink SPDIF inputs. Immediately upon returning to the analog domain, the audio signal is passed to analog filters of Tim de Paravicini’s own design. The audio is output from a transformer-coupled ECC88 tube line output stage as in EAR pro audio equipment. This allows true floating balanced output as well as identical quality unbalanced line out by RCA connectors. The maximum output is 5 volt, which means it can drive directly any power amplifier of any type, with analog volume control that can be controlled by remote handset.

The results are accurate, clean smooth sound, yet detailed, open and dynamic, lacking the overly-crisp, a musicality of many highly-regarded digital to analog converters. Many audio designers claim to make digital players that sound “like vinyl.” Unlike most, Tim de Paravicini, with the DAC, has actually done it.

Specifications
DAC: 24 BIT Multilevel Delta Sigma Conversion.
Digital Inputs: 1) USB Interface
2) 2 x 75 Ohms Coaxial S/PDIF
3) Toslink Optical S/PDIF
Analogue Outputs: 1) Phono; 5V rms single ended
2) Balanced XLR; 5V rms XLR pin 2 positive
Valve Compliment: 2x ECC88 / 6DJ8
Output Impedance: < 60 Ohms (balanced or single ended)
Recommended Load: > 600 Ohms (balanced or single ended)
Harmonic Distortion: < 1%
Frequency Response: 20Hz – 20KHz
Dimensions: W 435mm, D 320mm (inc controls and connections) H 95mm
Description: Digital Audio Converter with in-built valve driven transformer line output stage

Brand

E.A.R. Yoshino - UK

As early as 1965, Tim Paravicini was involved in design work for rock bands, building his own PA equipment, and modifying studio equipment to achieve greater potential. In 1972, he was invited to become an audio designer for Luxman Japan. Tim quickly produced some of Luxman's most outstanding designs, including the remarkable C1000/M6000 pre/power amplifier combination and the later Luxman 3045. Tim also designed the actual output amplifier and the 8045 power tube. As always with his designs, the output transformer is Tim's own design. Ear has designed a wide variety of hi-fi and studio components for both Audio Research and other domestic audio companies since 1976. Currently, EAR's professional product range includes tube microphone preamps, tube equalizers, and recording systems, all featuring the finest classic designs, sometimes supplemented by custom components, and has served some of the world's most renowned recording artists. His analog tube mastering recorders are renowned in the audio industry. Over the past two decades, Tim has collaborated with many different manufacturers. Designed the amazing A-1 amplifier for Musical Fidelity MF. Other products include A470/370, P270, Digilog, CD-T, etc.